Ballet Culture Around the World: A Conversation with Courtney Spears

Courtney Spears is a member of the Alvin Ailey American Dance Theater and the co-founder of ArtSea Dance company in the Bahamas. She has taught dance for six weeks in Tokyo, Japan. She’s also either performed or taught dance in Spain, Italy, Germany, France, London, The Netherlands, Switzerland, Greece, Denmark, and Martinique.

It’s safe to say Courtney knows quite a lot about dance culture around the world, so we connected with her to learn more about what she’s experienced while traveling as a dancer. She also shared insight into the diversity of dance she’s witnessed in other countries around the world and how it can broaden the perspectives of Black and Brown ballerinas today.

Related: A Spotlight on ArtSea Dance: Amplifying Opportunities for Bahamian Dancers

Photo: Courtney Spears, shot by Rachel Neville

Photo: Courtney Spears, shot by Rachel Neville

How would you describe the demographics of ballerinas abroad?

I’ve been fortunate enough to meet dancers in the majority of countries I’ve visited while being a dancer with Ailey. I haven’t been able to teach all of them, but you always meet young artists after the performance if you are out in the lobby or waiting area. What I’ve noticed is that the gift of dance manifests itself everywhere. I’ve met dancers of all ages, some who are young and starting out, and some who are much older, still fully engaged in their passion. Dance is universal, and you can see that evident in the people you meet.

How exclusive is the art of ballet in other countries?

Each country and setting is different, and in some cases, going to see a performance is either too expensive for the community or the theater is too far away. Dance, specifically ballet, can be a cultural gathering for the elite, which can make it seem less approachable. That’s not always the case. Some theaters I’ve seen are located in the most luxe, expensive part of town that draws a very high, elite crowd, and some theaters are located in the heartbeat of the city, easily accessible to anyone who wants to come. It varies, but what I have noticed consistently, is this genuine appreciation for our performance, no matter who is watching. 

Dance is meant for everyone and that’s why being at a place like Ailey is so special. In terms of expectations of behavior, I always try to remember that I am a reflection of the institution I work for. A lot of times, people are so excited to meet us and see us up close. I always remember that meeting me is some people’s only up-close view of the company, and I should always carry myself in a way that makes myself and the amazing legacy I’m a part of proud.

Which country would you say has very high standards for the skill level of their ballerinas?

I can only speak for the countries I’ve been to, but of course, the standards in cities like London and Paris were very high because of their prestige within the dance world having institutions like Royal Ballet and Paris Opera. But, when I was teaching students in Tokyo, Japan at the Hinton Battle School, I was overwhelmed with the high standards they had for themselves! They worked harder than any group of young artists I’d seen before. Their work ethic is what made them special, and they held themselves to a standard of perfection. I was in awe.

Why is it important for dancers to travel abroad?

There is something so humbling about realizing how “small” you are in the world. I find it not diminishing at all. I find it inspiring. We can very easily get wrapped up in our own world, and, rightfully so, our own problems. Getting out of your city, your state, or your country always allows you to see the whole picture. It makes you indulge in someone else’s world. Dance has been my ticket to see the world and reach people. When I travel, I try my best to walk around, see the city, try the food, take public transportation, and really experience where I am. Dance is an art form that has blessed the world, and the only way you really take that in is by seeing it for yourself.

What do you think holds dancers back from dancing and traveling abroad?

Traveling is a huge financial commitment! Unless your company is a touring company, it can be a lot to take on yourself. I also think sometimes we forget how big of an arts hub the U.S. is, and can miss international opportunities because it’s not in our forefront. It’s important to expand your thinking! Maybe you can teach virtually somewhere overseas at the moment. One of my first teaching jobs was in Tokyo and I applied for a position online on a whim. Sometimes you never know! If travel is something you want to do, you have to be diligent in finding those opportunities.


Courtney Spears is a professional ballet dancer, teacher, and model. She co-founded Artsea Dance, an organization in the Bahamas that hosts weekend-long workshops for young dancers in Nassau. In addition to dance lessons on jazz, ballet, and hip-hop, the dancers also learn choreography, career guidance, and body wellness practices. Connect with Courtney on Instagram or visit her website to learn more about the impact she makes in the dance world.